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The “Rockwellesque” Dining Options of the Norman Rockwell Museum

The Norman Rockwell Museum in Stockbridge, MA is notable for American Illustration Art and a setting for #foodisart.

Enjoying the warmer weather we turn to a summer series visiting museums to partake in a summer journey of art and food, after all, #FoodIsArt. (Eat at the Museum of Fine Arts, Boston; Peabody Essex Museum; Worcester Art Museum; Norman Rockwell MuseumIsabella Stewart Gardner Museum… and more).

From The Problems We All Live With – a 1964 iconic painting depicting Ruby Bridges, a six-year old African American girl on her way to William Frantz Elementary School, an all-white public school during the New Orleans desegregation crisis – to the Four Freedoms – a series of four 1943 oil paintings referencing President Roosevelt’s Four Freedoms State of the Union address – Norman Rockwell’s art epitomizes the essence of American life. Between the raw edges of his later work that infused the concerns of Americans with depictions of poverty, race and war to his optimistic outlook on the simple charmed country life, Rockwell portrayed the country through a clear lens and marked his expressions as an American tradition. Breathing life into the Rockwell legacy stands the Norman Rockwell Museum in Stockbridge, Massachusetts – the town he called home for the last 25 years of his life.

The Connoisseur at the The Norman Rockwell Museum in Stockbridge, MA.
The Connoisseur at the The Norman Rockwell Museum in Stockbridge, MA.

The museum itself is ‘Rockwellesque,’ housing the largest and most significant of his works in the Berkshires. To complement its portrayal of the life Rockwell built through his paintings, the museum offers an equally appropriate ‘Rockwellian’ rendition with its culinary offerings.

Catered by executive chef Brian Alberg of The Red Lion Inn – a staple inn in New England since the 18th century and a supporter of the artistic traditions through artist residencies and pop-up performances – the Terrace Café is a simplistic adaptation of Rockwell’s America. The Terrace Café overlooks picturesque Berkshires scenery, offering a seasonal dining area reminiscent of Stockbridge’s charming beginnings. Adorned with flowers pots, American flags and the sweet smell of fresh air, it balances the reasonings of Rockwell’s artistic style and encourages life’s imitation of art.

Chef Alberg – an active culinary member of Chefs Collaborative and Boston Chefs as well as the founding chair of Berkshire Farm & Table – understands the food movement of the Berkshires and Hudson Valley and intertwines his beliefs of freshness into the picture-perfect frame built by Rockwell. Dishes at the Norman Rockwell Museum ring true to the American family’s traditional views on what lunch is comprised of: sandwiches, salads and sweets.

The Freedom from Want at the The Norman Rockwell Museum in Stockbridge, MA.
The Freedom from Want at the The Norman Rockwell Museum in Stockbridge, MA.

The three S’s ring true to the guests of the museum with names meant to embody Rockwell’s famous works like The Connoisseur – marinated grilled veggies with Monterey goat cheese on focaccia bread – The Runaway – a roast beef with horseradish mayo on a challah bread – and The Freedom from Want – a turkey breast sandwich with cranberry mayo, lettuce, and stuffing on multi-grain bread. While many may argue that Rockwell’s museum deserves a menu of sophistication and fine cuisine to celebrate his legacy, it would be counterproductive to the museum, its guests and his work. The menu –carefully crafted to include references to his art, like the stuffing in The Freedom of Want – does not overstate its importance to guests of the Norman Rockwell Museum and instead, continues Rockwell’s work through food as an art form.

Rockwell, “without thinking too much about it in specific terms,” showed the America he “knew and observed to others who might have not noticed.” He stated that his fundamental purpose was to ”interpret the typical American” as he was a “story teller” and he did not fail us. The Terrace Café is an extension of his influence.

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Reflections on Norman Rockwell at WAM

Worcester Art Museum reflects on Norman Rockwell

 

Worcester Art Museum reflects on Norman Rockwell
Norman Rockwell, Study for “The Nightwatchman”, American, 1962, charcoal and graphite on paper, study for the “Saturday Evening Post” cover of November 3, 1962. The John Woodman Higgins Collection, Worcester Art Museum, 2014.142

Norman Rockwell’s enormous drawing, Study for “The Nightwatchman” (1962) goes on view at the Worcester Art Museum on November 5, 2014. This work, recently acquired by the Higgins Armory Museum, depicts a museum guard having a coffee break at the foot of a knight on horseback. It will be displayed along with Rockwell’s letters about the art commission for the former museum of arms and armor, as well as a WAM painting by the artist, The Wonders of Radio, giving insight into his technique and showcasing the artist’s gift for narrative.

The exhibition, which will be on view through February 8, 2015, is part of the Worcester Art Museum’s Master Series, six small exhibitions and accompanying talks held throughout 2014 and 2015 that encourage audiences to form new perspectives on some of the world’s most celebrated artists. The monthly talks, hosted by the WAM Members Council, delve deeper into examining singular works from WAM’s extensive encyclopedic holdings and significant loans from international institutions.

On Thursday, November 20 at 6 pm the WAM Members Council presents Reflections on Rockwell, a Master Series Third Thursday program, featuring Deborah Solomon, art critic, journalist, and author of American Mirror: The Life and Art of Norman Rockwell. She will provide a close-up look at one of America’s most beloved artists. Solomon’s talk will be followed by live music, light refreshments, and cash bar. The event is free with Museum admission.

The Worcester Art Museum’s Master Series gives an intimate look at one or two works by six signature artists. Exhibited in different galleries throughout the Museum, these displays allow for contemplation and study of some of the world’s most celebrated artists. Other Master Series works include: Portraits of William James and Elizabeth James (1744) by William Hogarth (on view through February 8, 2015); The Small Cowper Madonna (about 1505) by Raphael, on loan from the National Gallery of Art in Washington, DC, (on view January 24 – September 27, 2015); The Three Musicians and The Stone Operation (about 1624-25) by Rembrandt van Rijn (on view January through August 2015); Fujiwara no Yasumasa Playing the Flute by Moonlight (1882),by Tsukioka Yoshitoshi (on view February 28 – May 24, 2015); and Portrait of a Nobleman (1619) by Anthony van Dyck (on view March 14 – October 11, 2015)

“In developing this new programming series, our aim was to prompt visitors to move beyond basic name recognition and form a more holistic perspective on what makes these artists transcend the time in which they lived to become the masters we recognize in our contemporary day and age,” said Jon L. Seydl, WAM director of curatorial affairs and curator of European art.